It’s been a while since I’ve sat for a workshop on one of my pieces. I get editor feedback, which has been brutal as of late, but that experience feels removed. It isn’t a dialogue the way a workshop is–or at least should be. Part of my daily job is to provide feedback to writers. In that I tell them what works and what doesn’t work, and what I like, and what I would like to see them change or enhance. It feels closer to the editor process where I am working to help them smooth out a piece of writing for public consumption or, more often, a grade. That feels far removed from workshopping. It feels as vast as the difference between having a conversation with a friend and interacting with them on social media.
Workshops, even online ones, represent a particular level of intimacy. My last one was a small circle of friends consisting of two non-fiction authors, a screenplay writer, a literary fiction writer, and me, whatever I am. At that point I was struggling through a short story about a man in India who was hustled by a con artist and it resulted in his company getting robbed. I was fortunate enough to have one of my friends in the circle who was born in India and visited often. It helped me get things right–not just in the sense of correctness, but the sense of feel. I went into the space with trust, knowing that they would nicely dissect my story and tell me the brutal truth while we munched on hamburgers and sipped wine.
Wine makes a workshop better. Honesty makes a workshop even better than wine does, though the two are effective in conjunction. One softens the blow that the other delivers. I think what made this experience right for me is the trust I had that these authors were trying to help me shape and tell my own story instead of directing me to tell the story they wanted to hear specifically in the voice they had in their minds. I’ve had a lot of workshops go that way and it isn’t terribly helpful.
I’m quite terrified about sharing my work in an MFA program. I haven’t had the time to build up that trust with these other writers. I don’t know them. I don’t know if they are trying to shape my ideas into what they want or if they are even interested in the kind of stories I try to tell. I don’t reach everyone with my words. So, what happens when there are people in the group that I don’t reach–that don’t get it or me?
I can start by accepting their feedback as critical; as a voice from the audience that will receive my writing and may or may not know what to do with it. I can take the same stance on writing as I take on life–be grateful for the opportunity to hear how they feel and read what they have to say. I can accept that the work I share is in progress and needs the eyes and the notes. Josip Novakovich writes in the Fiction Writer’s Workshop that “the hardest part is looking not only for the story but for the pattern for writing stories.” You cannot find that pattern in yourself alone but only through the practice and patience of carefully understanding what is being said about your work and what is being done in the other works around you. This is what happens in a workshop. We learn to find the pattern. So, no matter how I feel about what is said, I will look for the pattern, and in that find the way to improve.