2.131. On Home

Call. Coffee. Write.

It has been a while since I’ve fallen into the comfortable rhythm of morning ritual. My writing has suffered for it. Ever since the unfortunate (and hopefully temporary) split I’ve been in a rut, both emotionally and physically. It is simple to call what I am feeling depression, but like a shirt one size off, it just doesn’t quite fit right. Part of being with a person is developing a way of life with them. When things are off my mind falls into this trap of trying to function the way it ought to be and the way it had been while nothing is exactly the same. The effect is similar to filling a gas tank with water and expecting to still drive. I guess what I am saying is I am fueled by love and driving through my day without it is both difficult and damaging to my soul.

I should work on developing a better sense of metaphor. Such things are generally cleaned up in second draft, but here and for the next few minutes there is only first draft. There is another metaphor, for life: You only get a first draft.

The truth is I am a far more complete person when my partner and soulmate is a part of my day. What some have called habit, pheromones, and even blind ego to me bears an ethereal quality. In each other I find a type and sense of belonging that is not repeated anywhere else in my life. In my partner I find the beauty of wanting to grow old with someone.

That I suppose is what makes it so difficult to let go and what makes the absence, if even psychologically, of her so profound. There is an Australian author named Beau Taplin who is blessed with a poetic turn of voice. He writes, “Sometimes, home has a heartbeat.” I find that to be true and fitting.

I find that I miss being away from home.

2.130: Plot and Circumstance

The last thing I do when I write a story is lay out the plot. This isn’t the way things are supposed to go, but it is how it tends to shake out lately. I start with a scene. It might not even pertain to the story. However, the scene shows me the characters involved and the place where it all happens. I start to build out that world in my head and that build out tends to help me flesh out the characters who I intend to bring to life in the setting. Before long I have the where, when, and who without ever really considering the what or how. It works better that way, because all of a sudden the plot is what happens to the characters on their way to finishing their character arc. It isn’t so much that the plot is incidental, but instead reflects a fully involved world and characters who will make decisions and shape plot based on who they are.